Tag Archive for '55'

What is the real value of lens sharpness tests?

Some articles and comments I read around the web suggest that sharpness tests and crops of shots designed to show how sharp lenses are, are valuable.

Others suggest they are just pixel-peeping, or that somehow, 100% crops don’t present a valuable picture of what is going on.

I take a different view. The fact that each lens manufacturer publishes mtf charts showing the sharpness capabilities of their lenses shows they at least think there is value in knowing how sharp a lens is.

But there is another reason for testing a lens.

Read enough articles and you will build a picture that tells you that the variation between samples in consumer-grade lenses is greater than with more expensive lenses. No surprise there.

And then there’s the matter of how long that consumer grade lens will stay sharp, assuming it was sharp when new. Parts wear, lenses get knocked against things. What is to say that lens will still be sharp six months after you bought it?

Photodo published their independant test results for years and it was the first port of call for many people looking for a new lens. The Photodo site that is published now is somewhat different than under its old incarnation because it now publishes user reviews. But it still maintains the old database.

There are other sites that rely on user reviews, such as photozone but, no site can answer the question whether a particular sample is a dud, or if it was not a dud when it was bought, have the insides worn away or, what damage was done when it was accidently knocked against that door jamb yesterday?

And when I go out shooting, I like to know that the lens is known to be sharp and that my sample is sharp. And I want to repeat that test at some point so I have something to compare my results with. And I don’t want to make the tests so long and complicated that I forget what I intended to prove in the first place. So if I shoot at f8 and at a particular focal length a lot of the time, a good test shot like that should tell me what I want to know. If there is a problem, I will see it.

How to test
Tripods vary. Some tripods cause more shake than they prevent. Flimsy tripods, long shutter speeds, and jerky shutter releases all add up to blurred photos and results that have nothing to do with the showing the sharpness of the lens.

So I like to use a support that is not going to move. Brick walls are a good bet. Better than tables or other pieces of furniture (though heavy wooden furniture can be good). Put your ear against a wooden table and you will feel the vibration running through it. I can hear the vibration from the whizzing hard drive on this computer on this table now.

After a steady support, the next thing is an aperture that is small enough to ensure that any missed focus or focus errors are not going to show up in the shot. And as I often shoot at f8, that is an aperture that will work for the test and provide usable results.

f8
I took these shots at f8, which on dx sized sensor, gives a reasonable depth of field. The subject to camera distance was approximately two feet (60cm) and the depth of field was therefore about 11 inches (28cm), which is enough to cope with any focus errors.

The next thing is to help the camera to expose correctly, which in this case meant two things. One was to take a shot that was predominantly darker rather than lighter. Too much of a light area in the frame means the camera will underexpose, and then you have to correct for that in processing the image.

The second thing was to cover the viewfinder window with my finger (near but not touching) so that no stray light came in and altered the exposure reading. Normally, the photographer’s eye would cover the viewfinder and prevent this problem, but I had the camera propped on a low wall.

Nikon provide a little plastic cover for the viewfinder, but it is sitting somewhere in my bag and I have never used it.

The Results
So, these are the shots from the Nikon 18-55mm kit lens that came with the D40. The exif data tells me the shot was taken at ISO 200, f8 and 1/4 second.

The crops are 475×475 pixels. I shot the images in RAW and converted them in Camera RAW 4.2 in Photoshop CS3. The sharpening parameters I applied were Amount 69, Radius 1.0 Detail 25 Masking 0

cones

cones crop 1

cones crop 2

cones crop 3

Camera Raw 4.2 became available a few days ago and can be uploaded from the Adobe site, and a good place to start the search to find the exact download page is HERE

Displacement maps in photoshop

The image in the thumbnail is a crop from an image that was prduced using displacement maps in photoshop.

Click on the image for a larger view. The original image I have posted is 900 pixels wide (it’s still a small file though), so it won’t fit on this page except as a thumbnail, so click to see it bigger.

yellowdisplaced

I learned about displacement maps as a method of blending a type layer so that it appears to follow the contours of a background layer - so, for example, one could make a slogan appear to follow the folds of a T-shirt.

But displacement maps can be used with any two images.

The method
You are working with two images. One is the image you are working on to create an arty image (I’ll call the image you are working on, Fred for convenience) and the other is the image you are going to use as the displacement map.

Both images should be PSDs and 8 bit.

The displacement map image can be any image in 8bit PSD on your drive, but I have found that using another version of the original image you are working with, can work well. So open Fred, increase the brightness and contrast; desaturate it, play about with the hues or desaturate it, and save it with some convenient name - maybe James?

James doesn’t have to be open while you use this technique.

Open Fred and go to Filter > distort > displace

A box appears and asks you for values. You can put positive or negative values in the boxes, such as -30 in the top box and 21 in the lower box. It is up to you. I used to use small values of 5 or so, but I tend to use bigger values now. A lot depends on the image. Images with a lot of small detail (leaves on a tree for example) might suit one set of values, whereas a face might suit a different set).

Click OK and you are asked to choose a displacement image. Choose James.

That’s it - just watch the result appear.

You can repeat the process. You can use the same or different values, or you can use a different displacement map image.

And you can of course intersperse each repeat using other filters such as the artistic, sketch or liquify filters.

Important
If you like the result, don’t just save it or you will have overwritten Fred. Save it with a different name (Arthur, perhaps?).

Nikon D40 with 18-55mm kit lens - sharpness test

Method

    Camera propped on worktop (makes a great tripod)
    White balance set to fluorescent
    Camera on aperture priority
    Shots taken in RAW
    First shot at ISO200, second at ISO400, and the third at ISO800
    Shots developed in Camera RAW4.1 in Bridge CS3
    Sharpening sliders set at ‘Amount’ 100, ‘Radius’ 1, ‘Detail’ 50, and ‘Masking’ 0.

The details for the three shots, which are all shown at 100%, are:

ISO200, 1/5 second at f6.3

200

ISO400 1/8 second at f6.3

400

ISO800 1/15 second f6.3

800

Judge the sharpness for yourself. Personally I think they are indistinguishable for all practical purposes.